Tuesday, 17 January 2012

Wuthering Heights - A Force of Nature


I went to see Andrea Arnold’s adaptation of Wuthering Heights at our local independent cinema recently; I thought it was amazing.  However, I seemed to be in a minority and I just couldn’t understand why; it took a while for me to digest why I liked it – and why it seems that the other people around me didn’t, but I think I finally figured it out (well, a little bit!)

                 When I first read Wuthering Heights, many years ago, I read the story of Heathcliff and Cathy; the novel was all about love and being kept apart and how love would conquer all, even death.  The idea of Heathcliff and Cathy being together in death as they could not be in life was so romantic and appealed to my teenage self.  Over the years I have found a different story every time I have re-read the novel and have lost the idea of Wuthering Heights being the greatest love story ever told; instead, I have come to see a novel about struggle – against prejudice, gender, the environment, just about everything.  The novel, as I see it, is about the harshness of life – not just a love story (although, the feelings of Heathcliff and Cathy for each other bind the story together).  

                So, when I watched the film, I was not surprised that it foregrounded the landscape and the conflict of the characters; I was impressed, and just a little relieved that someone else ‘read’ the book similarly to the way I do! I was impressed by the lack of – well, noise in the film; the characters do not need to speak, they act out their feelings and we (as the viewers) can see the power that Cathy holds over Heathcliff, right from the start, in the way she treats him.  This power ranges from her ripping his hair out of his head (without a murmur from him), to her pinning him to the ground with her foot on his head.  There is no need for a musical score, the sounds of nature – the wind, the rain and the sounds of nature are an apt soundtrack, which I found made me look and listen more, not being distracted by music.  

Arnold also did well in not creating likeable characters.  To be frank, I do not think there are not many likeable characters in Wuthering Heights; Cathy is selfish, Heathcliff is...well Heathcliff, tortured and Byronic. Even Nellie Dean has her bad points and she is one of the nicer characters!  Arnold shows this very well, the characters are not shown as if they belong in a love story – they are harsh and as unforgiving as the landscape they live in, a landscape which they belong in.

Maybe I liked the film because it was the adaptation I wanted it to be, that matched my reading of the novel, and maybe that is the problem with the film too.  There is no resolution, the second generation do not enter the film at all, so there is no happy ever after, just the bleakness of the Yorkshire Moors and the thought of death separating Heathcliff and Cathy – and not the love story that has come to be associated with Wuthering Heights.

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